Yesterday, I was surprised when I had to pay more than $16.99 for my $16.99 clothing item. Then I remembered that I was in Ohio. I've been back in Ohio for a few years and still can't seem to get used to paying sales tax on clothes. Neighboring Pennsylvania, where I lived for many years, does not tax clothing purchases. This is why busloads of people come to the commonwealth to shop.
I've grown accustomed to seeing alcohol in grocery stores, which is another thing you won't see in the keystone state. It's very convenient to buy wine and beer, which can be a good thing and a bad thing. It's nice to be able to purchase a bottle of wine for a party at the same place where you can pick up the chips and salsa. But that convenience makes it a little too easy to keep a supply of alcohol on hand.
The other difference that's a big change for anyone moving from one of these states to the other is the whole vehicle inspection concept. While both states check emissions, Pennsylvania car owners are required to take their cars to a mechanic every year to make sure that brakes, lights and other parts of the car are working. In Ohio, an inspection consists of the state Bureau of Motor Vehicles employee writing down the vehicle identification number that's stamped on your car. That's it. That's all they do.
I have no statistics to back this up, but I'd guess that Pennsylvania sells more clothes than Ohio, Ohio sells more alcohol and Pennsylvania cars are probably in better shape. I wonder what Indiana is like?
Friday, April 9, 2010
Friday, March 19, 2010
Misadventures of an Adult Skater
Yesterday, I walked into a skating rink feeling lucky to be able to go there. I left feeling lucky that I was able to walk out.
I haven't had a skating lesson in three years, and I've only been on the ice once during that time -- until this month. A desire to get more exercise and to have some fun at the same time prompted me to seek out a local rink. I found two (!) near work and toyed with the idea of skating again. With supportive bosses and a flexible schedule, the opportunity was there. I could do it.
After much planning, I went and skated for an hour on a weekday. I was happy to find that I could still do some of the things I had learned several years ago. My moves were sloppy, but I didn't care. I was having fun and was enjoying the feel of being on the ice again. So I went back yesterday, two weeks after the first try.
Within my first few minutes on the ice, I fell while trying to spin. I don't know what happened. I just didn't warm up enough and didn't feel like I had my legs beneath me.
It's easy to forget how hard the ice is when you haven't fallen in a long time. I stood up and felt pain in my left knee and right hand. I remembered someone telling me before that it was best to keep moving your knee after falling on it. I did a few laps around the rink, thinking about the irony of being on ice and wishing for an ice pack for my hand. I took off my gloves and compared my hands. I couldn't see any difference between them, so I figured I was probably ok. My knee felt better, and I got up the courage to try spinning again. And again. And again. I still couldn't get it right, but at least I stayed vertical.
I skated for the full hour that I had mentally committed to, but my hand was hurting the whole time. So was my pride. I had to keep telling myself that I was twice as old as most of the people on the ice with me. A few of them had fallen too, and they kept going.
When I got to the car, I pulled out the ice pack that I had in my lunch bag. I sat for a few minutes while I held the ice pack in my hand. I thought about how nobody at the rink knew me. If I had been seriously injured, they wouldn't have known who to call. I would be "Jane Doe" in a hospital somewhere. At least they'd have the first name right.
Today, my hand is feeling better but my knee still hurts. My pride is still healing too.
I haven't had a skating lesson in three years, and I've only been on the ice once during that time -- until this month. A desire to get more exercise and to have some fun at the same time prompted me to seek out a local rink. I found two (!) near work and toyed with the idea of skating again. With supportive bosses and a flexible schedule, the opportunity was there. I could do it.
After much planning, I went and skated for an hour on a weekday. I was happy to find that I could still do some of the things I had learned several years ago. My moves were sloppy, but I didn't care. I was having fun and was enjoying the feel of being on the ice again. So I went back yesterday, two weeks after the first try.
Within my first few minutes on the ice, I fell while trying to spin. I don't know what happened. I just didn't warm up enough and didn't feel like I had my legs beneath me.
It's easy to forget how hard the ice is when you haven't fallen in a long time. I stood up and felt pain in my left knee and right hand. I remembered someone telling me before that it was best to keep moving your knee after falling on it. I did a few laps around the rink, thinking about the irony of being on ice and wishing for an ice pack for my hand. I took off my gloves and compared my hands. I couldn't see any difference between them, so I figured I was probably ok. My knee felt better, and I got up the courage to try spinning again. And again. And again. I still couldn't get it right, but at least I stayed vertical.
I skated for the full hour that I had mentally committed to, but my hand was hurting the whole time. So was my pride. I had to keep telling myself that I was twice as old as most of the people on the ice with me. A few of them had fallen too, and they kept going.
When I got to the car, I pulled out the ice pack that I had in my lunch bag. I sat for a few minutes while I held the ice pack in my hand. I thought about how nobody at the rink knew me. If I had been seriously injured, they wouldn't have known who to call. I would be "Jane Doe" in a hospital somewhere. At least they'd have the first name right.
Today, my hand is feeling better but my knee still hurts. My pride is still healing too.
Tuesday, March 16, 2010
The Best Way to Communicate
Part of working with others is learning how they like to communicate best. Some always prefer to talk on the phone. For others, it's a mixture of phone and email, or even email and text messages.
When I need to communicate a message, I think about the person receiving it, the length of the message and the purpose. I also think about my time constraints. For efficiency, text messages and emails are great. But I haven't been able to get to know anyone very well through these forms of communication. I get a much better sense of someone's personality during a phone or in-person conversation.
In thinking about some conversations I've had recently, I realize I would've missed out on a lot if that communication had happened via email alone. That voice connection seems to encourage more conversation. When someone sends an email, it's usually about a single topic. What's great about live conversations is the different directions they can take. You can start out talking about one thing, and before you know it, you're on your fifth topic.
When I need to communicate a message, I think about the person receiving it, the length of the message and the purpose. I also think about my time constraints. For efficiency, text messages and emails are great. But I haven't been able to get to know anyone very well through these forms of communication. I get a much better sense of someone's personality during a phone or in-person conversation.
In thinking about some conversations I've had recently, I realize I would've missed out on a lot if that communication had happened via email alone. That voice connection seems to encourage more conversation. When someone sends an email, it's usually about a single topic. What's great about live conversations is the different directions they can take. You can start out talking about one thing, and before you know it, you're on your fifth topic.
Sunday, February 28, 2010
Fielding Questions About Skating
I've been mesmerized by the Olympics for the greater part of these last two weeks. I think I could hum "O Canada," I've heard it so many times.
Lately, people who know of my passion for figure skating have asked me questions about it. "Did Evan Lysacek deserve the gold medal?" someone asked. Yes, he did, because even though he didn't do a quad jump, he did everything well. His Russian adversary completed some sloppy jumps, quad or otherwise. Don't get me started about the quad. While doing a four-revolution jump is a marvelous thing, it shouldn't be done to the detriment of the rest of the program. Skating is not just about jumping. It never has been, and I hope it never will be.
"Why does it seem like skating is so different now?" My answer to that was simple: "the judging system." When skating officials created a new judging system to put an end to judging controversies, they were looking for a way to be fair. What we have now is a method of judging that assigns points to everything a skater does and how well it's done. The problem with this is that it causes skaters to craft their programs to get the maximum points possible. They pack the programs with elements that get rewarded with lots of points and leave out the elements that aren't worth much. This is what has really changed skating, and not for the better. Today's skaters don't perform the spread eagles or Ina Bauers of the past. Instead, these elements are used only as "difficult entries" into jumps and are held for just a couple of seconds.
If you look at old skating programs on youtube, as I just did, you'll see the difference. I watched Brian Boitano's gold medal performance from the 1988 Olympics. In addition to lots of jumps, he did a gorgeous spread eagle that covered a lot of ice. The tv commentator said, "This spread eagle (is) worth the equivalent of any triple jump." Amen, brother, but not anymore. Ditto for Paul Wylie's 1992 Olympic program, which included a fantastic Ina Bauer. These long, sweeping moves are what attracted me to skating.
To be fair, I'll point out a benefit of the current judging system. Since each element is assigned a point value and evaluated, the skaters really get to hone in on what they need to improve. For example, several skaters have improved their jumps after learning that they were downgraded because of taking off on the wrong edge or failing to complete the last rotation of a jump. It's valuable information to have.
Lately, people who know of my passion for figure skating have asked me questions about it. "Did Evan Lysacek deserve the gold medal?" someone asked. Yes, he did, because even though he didn't do a quad jump, he did everything well. His Russian adversary completed some sloppy jumps, quad or otherwise. Don't get me started about the quad. While doing a four-revolution jump is a marvelous thing, it shouldn't be done to the detriment of the rest of the program. Skating is not just about jumping. It never has been, and I hope it never will be.
"Why does it seem like skating is so different now?" My answer to that was simple: "the judging system." When skating officials created a new judging system to put an end to judging controversies, they were looking for a way to be fair. What we have now is a method of judging that assigns points to everything a skater does and how well it's done. The problem with this is that it causes skaters to craft their programs to get the maximum points possible. They pack the programs with elements that get rewarded with lots of points and leave out the elements that aren't worth much. This is what has really changed skating, and not for the better. Today's skaters don't perform the spread eagles or Ina Bauers of the past. Instead, these elements are used only as "difficult entries" into jumps and are held for just a couple of seconds.
If you look at old skating programs on youtube, as I just did, you'll see the difference. I watched Brian Boitano's gold medal performance from the 1988 Olympics. In addition to lots of jumps, he did a gorgeous spread eagle that covered a lot of ice. The tv commentator said, "This spread eagle (is) worth the equivalent of any triple jump." Amen, brother, but not anymore. Ditto for Paul Wylie's 1992 Olympic program, which included a fantastic Ina Bauer. These long, sweeping moves are what attracted me to skating.
To be fair, I'll point out a benefit of the current judging system. Since each element is assigned a point value and evaluated, the skaters really get to hone in on what they need to improve. For example, several skaters have improved their jumps after learning that they were downgraded because of taking off on the wrong edge or failing to complete the last rotation of a jump. It's valuable information to have.
Wednesday, February 3, 2010
Young Skating Talents Headed for Vancouver
In skating, as in many other areas of life, someone is always happy to take your place when you walk away from something. While I feel great admiration for the skaters I've watched for years, I'm excited about the younger talents who are making their mark on the skating world.
Sasha Cohen had been away from competitive skating for four years. She came back to the U.S. Figure Skating Championships to compete again and maybe win a trip to Vancouver. In the words of one of the TV commentators, "This is a very brave thing to do." While Cohen has the best spirals and the best split jumps of anyone competing today, she couldn't rely on those strengths to get the scores needed to win. The many jumps she landed on two feet really put her behind teenagers Rachael Flatt and Mirai Nagasu, who will represent us at the Olympics this month.
Other young skaters I'll be watching compete are in the ice dance category. Charlie Davis and Meryl White beat five-time U.S. champs Tanith Belbin and Ben Agosto for the first time ever, claiming the national title last month. Davis and White's long program was enthralling. I'll be rooting for them in Vancouver, even though Belbin and Agosto will be competing there too.
In the pairs category, Amanda Evora and Mark Ladwig, along with Caydee Denney and Jeremy Barrett, will represent our country at the Olympics. Denney and Barrett made a splash at last year's championships in Cleveland. I remember seeing their coach joyfully pounding his fists on the boards. At this year's championships, he was in tears. Like all female pairs skaters, who are routinely lifted over men's heads and thrown distances the length of a small couch, Denney is fearless. Somehow, she seems to have more grit than anybody.
In the men's category, Jeremy Abbott will be worth watching. Now a two-time U.S. champ, he transitions seamlessly from one element to the next. He has the technical skill and the artistry, with no apparent weaknesses.
I don't know how these first-time Olympians will fare against other countries' best, but it sure will be fun to see. Hey, the rest of you have your Super Bowl. This is mine.
Sasha Cohen had been away from competitive skating for four years. She came back to the U.S. Figure Skating Championships to compete again and maybe win a trip to Vancouver. In the words of one of the TV commentators, "This is a very brave thing to do." While Cohen has the best spirals and the best split jumps of anyone competing today, she couldn't rely on those strengths to get the scores needed to win. The many jumps she landed on two feet really put her behind teenagers Rachael Flatt and Mirai Nagasu, who will represent us at the Olympics this month.
Other young skaters I'll be watching compete are in the ice dance category. Charlie Davis and Meryl White beat five-time U.S. champs Tanith Belbin and Ben Agosto for the first time ever, claiming the national title last month. Davis and White's long program was enthralling. I'll be rooting for them in Vancouver, even though Belbin and Agosto will be competing there too.
In the pairs category, Amanda Evora and Mark Ladwig, along with Caydee Denney and Jeremy Barrett, will represent our country at the Olympics. Denney and Barrett made a splash at last year's championships in Cleveland. I remember seeing their coach joyfully pounding his fists on the boards. At this year's championships, he was in tears. Like all female pairs skaters, who are routinely lifted over men's heads and thrown distances the length of a small couch, Denney is fearless. Somehow, she seems to have more grit than anybody.
In the men's category, Jeremy Abbott will be worth watching. Now a two-time U.S. champ, he transitions seamlessly from one element to the next. He has the technical skill and the artistry, with no apparent weaknesses.
I don't know how these first-time Olympians will fare against other countries' best, but it sure will be fun to see. Hey, the rest of you have your Super Bowl. This is mine.
Sunday, January 31, 2010
Getting Something Down on Paper
A blank page or screen is so liberating and so terrifying. It's so full of lovely possibilities, yet equally open to a bunch of junk thrown down in haste. It doesn't know the difference. The screen will accept either one.
I had just begun reading the much-recommended "bird by bird" (Yes, it kills me to stay true to the title and not capitalize it.) by Anne Lamott when I saw my niece demonstrate the very same writerly struggles Lamott describes. My niece has a story project due -- some 300-plus words. It's daunting for a 7-year-old. Not wanting to let her leave it until the last minute, the adults decided to help her brainstorm.
We sat down with a notebook and started asking questions. Where would her story happen? What characters would be in it? What would they do? I hoped the series of questions would elicit some ideas from her creative, book-devouring little mind. We tried this a couple of times, with one of us taking notes while she spouted ideas between doing headstands and making an imaginary sled out of pillows.
Lamott's advice is, in G-rated language, to write a lousy first draft. Just get something down on the paper. This is what we were trying to do. I think it was successful. My niece might have too many ideas now.
What amused me the most was that on one attempt to pick up the brainstorming process again, my niece, at the very suggestion of it, raced over to the piano to practice. This is classic writerly avoidance. Writers everywhere struggle to block everything out, ignore the need-to-be-done chores or various sources of entertainment and simply write. It's a formidable task, regardless of age or writing experience.
I had just begun reading the much-recommended "bird by bird" (Yes, it kills me to stay true to the title and not capitalize it.) by Anne Lamott when I saw my niece demonstrate the very same writerly struggles Lamott describes. My niece has a story project due -- some 300-plus words. It's daunting for a 7-year-old. Not wanting to let her leave it until the last minute, the adults decided to help her brainstorm.
We sat down with a notebook and started asking questions. Where would her story happen? What characters would be in it? What would they do? I hoped the series of questions would elicit some ideas from her creative, book-devouring little mind. We tried this a couple of times, with one of us taking notes while she spouted ideas between doing headstands and making an imaginary sled out of pillows.
Lamott's advice is, in G-rated language, to write a lousy first draft. Just get something down on the paper. This is what we were trying to do. I think it was successful. My niece might have too many ideas now.
What amused me the most was that on one attempt to pick up the brainstorming process again, my niece, at the very suggestion of it, raced over to the piano to practice. This is classic writerly avoidance. Writers everywhere struggle to block everything out, ignore the need-to-be-done chores or various sources of entertainment and simply write. It's a formidable task, regardless of age or writing experience.
Monday, January 18, 2010
How Am I Doing?
Every retailer seems to be begging consumers to take surveys lately. "Let us know how we are doing," says the receipt. Usually, the promise of a chance at winning something follows the survey request.
It occurred to me the other day that employees are a lot like these stores that want to know how they are doing. Every human being, regardless of company, title or salary level, wants to know that he or she is doing a good job. For some reason, it's easy to forget to tell people that they are doing well.
In this economy, when many companies aren't in a position to give out raises, I think it would be a nice morale boost for lots of employees if their bosses gave them a quick, "Good job."
It occurred to me the other day that employees are a lot like these stores that want to know how they are doing. Every human being, regardless of company, title or salary level, wants to know that he or she is doing a good job. For some reason, it's easy to forget to tell people that they are doing well.
In this economy, when many companies aren't in a position to give out raises, I think it would be a nice morale boost for lots of employees if their bosses gave them a quick, "Good job."
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